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Since
Sabin Jacques began playing the accordion at age 14, his reputation
grew non-stop: his multiple and diverse musical engagements made
him a versatile and accomplished artist. Deeply influenced by such
musicians as Simard, Bruneau, Labbé, Messervier and Montmarquette,
he sought his originality in his unusual technique which gives him,
as a left-handed player, a recognizable signature.
Sabin was soon invited to play for traditional
dance troops; these collaborations offered him many opportunities
to travel worldwide. Since age 20, he accompanied the ensembles
les Gens de mon Pays, les Danseurs de la Vallée
Saint Jean and les Éclusiers de Lachine in
Bulgaria, Italy, Poland, France, England, Spain and Madagascar,
where he took part in Les jeux de la Francophonie (1997),
receiving a bronze medal. In 1995, he was featured as the Quebecois
artist at the Montmagny Carrefour Mondial de l'Accordéon.
Originally from the beautiful Gaspé peninsula,
Sabin made Montreal his home in 1992, in search for work in the
electronics field. This greater musical community allowed him to
make significant acquaintances with musicians in the popular and
commercial music domain. His work with Acadian icon signer Edith
Butler remains the most prolific: between 1993 and 2001 he
played on two of her recordings and accompanied her on many tours.
He was also heard alongside celebrated Hugues Aufray, as
well as on recordings of Jean-Pierre Ferland, Ann-Victor
and rap band Kid Fléo.
Despite these various musical adventures, including
prime time television appearances (Gregory Charles's Mélomaniaques
(2005) and Droit au coeur (2006)), Sabin remains profoundly
attached to his traditional roots and regularly takes part in pedagogical
projects, by teaching his heritage at home at l'école
des Arts de la Veillée, and at summer camps such as
Ashokan (NY), Pinewoods (MA), Augusta
(WV), and others abroad. His teaching is said to be practical, uplifting
and always inspiring.
Some of his more traditional recordings include
Les pieds qui parlent (1994), Hommage à Alfred
Montmarquette (1994), Domino I (1998), Michèle
Choinière (2002), Domino Pris au Jeu (2004)
and his latest: Raz-de-marée/Tidal Wave (2007),
all of these putting a highlight on his stunning dexterity and musicianship
while confirming his status as one of Quebec's leading master accordionists. |
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